Back in March, Icelandic visionary Björk opened up her oeuvre in a major mid-career retrospective at the MoMA gallery in New York. The exhibition reflected on two decades of her work, from the early days with her – appropriately titled – 1993 album Debut, to the recent premiere of music filmmaker Andrew Thomas Huang’s Black Lake. To coincide with the show, Thames & Hudson released a tome detailing Björk’s boundary pushing body of work. Seven distinct booklets came together to create Bjork: Archives, with one publishing the intimate correspondence between philosopher Timothy Morton and the artist herself. The email exchange was a three month collaboration between the pair as they tried to discover what ‘ism’ Björk – as an Icelandic pop singer – is.

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